zondag 20 mei 2012
vrijdag 18 mei 2012
Motorcross Lommel 17 mei 2012
Een paar pics van de motorcross op 17 mei te Lommel.
Voor prints & downloads van de volledige set kan je hier terecht: http://bit.ly/KXVL0m
donderdag 17 mei 2012
Vannstein: Rock Aflaat 2012
"The Ultimate Rammstein Tribute Band" ... zo noemen deze nederlandse jongens zich, onder de naam "Vannstein".
Ik moet toegeven, ze zouden wel eens gelijk kunnen hebben ;-)
Spijtig genoeg moest hun act stevig ingekort worden owv een uitlopend festivalletje ;)
Ik moet toegeven, ze zouden wel eens gelijk kunnen hebben ;-)
Spijtig genoeg moest hun act stevig ingekort worden owv een uitlopend festivalletje ;)
woensdag 16 mei 2012
Rock Aflaat 2012: Kings Ov Leon
Kings Ov Leon is een Kings of Leon Tribute banduit de UK. Misschien wel de beste Kings Of Leon tribute band, aangezien zij al felecitaties van de originelen hebben gekregen ;-)
Rock Aflaat 2012: Renegades
Renegades is een Nederlandse tribute band die nummers brengt van Rage Against The Machine, zij mochten Rock Aflaat 2012 openen in Tienen.
dinsdag 15 mei 2012
Os Moe Is True Fest V: Ancient Rites Text & Foto's
Ancient Rites: "What you see is what you get"
Na 3 jaar afwezigheid staat Ancient Rites terug op het podium. Oude liefde roest niet, dat bewees de
overvloedige aanwezigheid van Ancient Rites shirts. En de liefde kwam van 2 kanten. Ondertekende
sprak net na het concert met Gunther Theys, boegbeeld van Ancient Rites.
maandag 14 mei 2012
Os Moe Is True Fest V: Saille
Saille, een band die ik pas onlangs heb leren kennen tijdens Frostbite Fest in Leuven (http://fotopositief.blogspot.com/2012/03/frostbite-fest-iii-black-edition.html) is goed bezig.
Her en der duikt deze naam op in het club-circuit, en nu ook op de affiche van GMM 2012! Zéker de moeite om te gaan kijken dus! En wie niet kan wachten tot in Dessel, kan ze 19 Mei in Hasselt gaan aanschouwen: http://www.facebook.com/events/310841478972862/ Zéker doen!
Her en der duikt deze naam op in het club-circuit, en nu ook op de affiche van GMM 2012! Zéker de moeite om te gaan kijken dus! En wie niet kan wachten tot in Dessel, kan ze 19 Mei in Hasselt gaan aanschouwen: http://www.facebook.com/events/310841478972862/ Zéker doen!
vrijdag 11 mei 2012
donderdag 10 mei 2012
woensdag 9 mei 2012
dinsdag 8 mei 2012
maandag 7 mei 2012
zondag 6 mei 2012
Schalerfestival Tienen: Marjan Berger
Opener voor de 3e editie van het Tiense Schagerfestival was Marjan Berger:
dinsdag 1 mei 2012
New lens, pixel peeping!
Part of getting to know your new gear, is by using it on the field. This one thing I do, is using that 1 new thing always and everywhere. Ideal situation or not...
I spend over a year shooting almost exclusively the 18-50mm, concerts, portrets, landscapes, product... everything was done with that 18-50mm. Now I know exactly when and why I want to pull it out.
When I got the 50mm 1.8 prime, I already had a pretty good idea what view on the world the 50mm focal length would give me, it's just the prime way of zooming, and large aperture that had to grow on me. So I took that nifty fifty with me everywhere, again, portraits, concerts, landscape, studio... And even still, 50 is the way to go at the moment.
But first things first, see how this fancy glass performs, I benchmark wise compared it to the Canon 55-200mm f4.5-5.6 kitlens.
Easy set-up: white seamless, 1 light + shoot-through umbrella, tripod and trigger.
There is a slight shift in composition between the L glass and kit, I used the body-mount on the tripod, for changing lenses without having to change general shooting angle. This made the body tip forward slightly with the L-glass in place, due to the weight.
In this test I deliberately chose not to test the lens in a way that would highlight the L glass' advantage.
It's clear that the L glass walks all over the kit in terms of focusing speed, low light situations, IS function, use of DOF, ...
These photo's are made in jpg-mode, no editing of any kind. Again so that i can not be accused of post processing images differently in favor of one or the other lens.
First 2 200mm, f11 samples, uncropped:
The kit:
The L:
I spend over a year shooting almost exclusively the 18-50mm, concerts, portrets, landscapes, product... everything was done with that 18-50mm. Now I know exactly when and why I want to pull it out.
When I got the 50mm 1.8 prime, I already had a pretty good idea what view on the world the 50mm focal length would give me, it's just the prime way of zooming, and large aperture that had to grow on me. So I took that nifty fifty with me everywhere, again, portraits, concerts, landscape, studio... And even still, 50 is the way to go at the moment.
But first things first, see how this fancy glass performs, I benchmark wise compared it to the Canon 55-200mm f4.5-5.6 kitlens.
Easy set-up: white seamless, 1 light + shoot-through umbrella, tripod and trigger.
There is a slight shift in composition between the L glass and kit, I used the body-mount on the tripod, for changing lenses without having to change general shooting angle. This made the body tip forward slightly with the L-glass in place, due to the weight.
In this test I deliberately chose not to test the lens in a way that would highlight the L glass' advantage.
It's clear that the L glass walks all over the kit in terms of focusing speed, low light situations, IS function, use of DOF, ...
These photo's are made in jpg-mode, no editing of any kind. Again so that i can not be accused of post processing images differently in favor of one or the other lens.
First 2 200mm, f11 samples, uncropped:
The kit:
The L:
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